Maxon Cinema 4D Studio R15 Manual descargar pdf (Pagina 42)

BodyPaint 3D

Rotate the view so you can see the eyelid from the top. Activate the Raybrush Render View for RayBrush

Painting mode and set the brush size to 10. Switch to the color layer’s Color menu and set the color to a

medium gray which will be the base color for our eyelid. Now go to the Bump layer’s color preview and set the

color to black (both color layers are located in the Materials tab under the letters C and B + pencil symbol).

When you paint on the object you will notice that both colors are being applied to the object – the gray base

color and the black (to indicate indentations).

If white were the color of the Bump channel it would raise the brush stroke instead of indicating indentations.

The result could look like the following image.

Load the QS_BP3D_Final.c4d ﬁle and take a look at it when you have time. Here are some everyday tips with

which you can achieve great results quickly and easily.

4. Tips and Tricks

• A very helpful function can be found in CINEMA 4D’s preferences (Ctrl + E). In the BodyPaint 3D menu you

will ﬁnd the function Project On Invisible Parts, which, when activated, allows you to paint on both sides of an

object in projection paint mode. Let’s assume you want to color the arm of a ﬁgure or sprinkle color on the

entire ﬁgure. With this function deactivated you would have to apply the color with this function deactivated,

rotate the arm, apply the color, rotate the arm and, well, you get the idea. When this function is activated

you apply the color in the front view and the color is applied to all surfaces lying behind this surface at the

same time. Just make sure you don’t apply color to objects you don’t want to color when this function has

been activated.

• If a texture map does not ﬁt correctly at the point where large and small polygons meet (in the case of

low-poly objects that are subordinates of Subdivision Surfaces) set the Tile UV’s function, in the respective

Subdivision Surfaces Object’s Attribute Manager, from Edge Standart to Boundary to Edge. This sends the

UV-mesh through the Subdivision Surfaces algorithm and subdivides it to ﬁt the polygon object.

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Maxon Cinema 4D Studio R15 Manual Pagina 42