Maxon Cinema 4D Studio R15 Manual descargar pdf (Pagina 43)

BodyPaint 3D

• Avoid UV-mesh polygons that meet to a point when applying a noise texture to a Bump layer. The narrower

a 3-sided polygon becomes, the coarser the bump noise channel will be rendered. Of course such a polygon

has much less area for the noise structure at its tip than it does at its center which results in a magniﬁcation

effect of the noise structure.

• Try to set up each side of a triangulated polygon as an isosceles. This also goes for 4-point polygons when

they converge into a trapezoid. The more square the polygon the more even the structure will be. It goes

without saying that you need different brushes for different texture looks. CINEMA 4D has a wide variety of

brush types for you to use. Just select the tab Attributes and click on the small arrow on the brush preview.

• Here you will ﬁnd a wide variety of preset brushes corresponding to natural media and detail effects. You

can also load preset brushes from Adobe Photoshop, and save your own brushes. Just make the changes you

want and click on the Save Brush button.

• Now that you’ve gotten a brief introduction to BodyPaint 3D’s painting tools, you can experiment and

practice adding details to your own models.

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Maxon Cinema 4D Studio R15 Manual Pagina 43